Times & Tickets
Spring Interlude at Roxy Cinema
Spring Interlude
Join us for two special Q+A screenings with Director Martin Sagadin and star Alayne Dick on December 11th and 12th at 8.15pm each night
As the first independent contemporary queer feature film in New Zealand, SPRING INTERLUDE takes three characters and a simple premise about kindness and trust and turns it into an immersive experience of naturalistic dialogue, small gestures, glances and navigation of intimacy.
'As two girls go from being friends to maybe something more, one of them encounters a stranger who needs a place to stay the night.'
New Zealand International Film Festival writes "SPRING INTERLUDE artfully circles the apparently mundane and haphazard to explore subtext and emotional bonds, and tensions that remain unexpressed. The easy flow and naturalism of the film mask the skilfully choreographed unfolding of scenes, which lead to a perfectly judged final moment.”
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As the first independent contemporary queer feature film in New Zealand, SPRING INTERLUDE takes three characters and a simple premise about kindness and trust and turns it into an immersive experience of naturalistic dialogue, small gestures, glances and navigation of intimacy.
'As two girls go from being friends to maybe something more, one of them encounters a stranger who needs a place to stay the night.'
New Zealand International Film Festival writes "SPRING INTERLUDE artfully circles the apparently mundane and haphazard to explore subtext and emotional bonds, and tensions that remain unexpressed. The easy flow and naturalism of the film mask the skilfully choreographed unfolding of scenes, which lead to a perfectly judged final moment.”
Join us for two special Q+A screenings with Director Martin Sagadin and star Alayne Dick on December 11th and 12th at 8.15pm each night
As the first independent contemporary queer feature film in New Zealand, SPRING INTERLUDE takes three characters and a simple premise about kindness and trust and turns it into an immersive experience of naturalistic dialogue, small gestures, glances and navigation of intimacy.
'As two girls go from being friends to maybe something more, one of them encounters a stranger who needs a place to stay the night.'
New Zealand International Film Festival writes "SPRING INTERLUDE artfully circles the apparently mundane and haphazard to explore subtext and emotional bonds, and tensions that remain unexpressed. The easy flow and naturalism of the film mask the skilfully choreographed unfolding of scenes, which lead to a perfectly judged final moment.”
As the first independent contemporary queer feature film in New Zealand, SPRING INTERLUDE takes three characters and a simple premise about kindness and trust and turns it into an immersive experience of naturalistic dialogue, small gestures, glances and navigation of intimacy.
'As two girls go from being friends to maybe something more, one of them encounters a stranger who needs a place to stay the night.'
New Zealand International Film Festival writes "SPRING INTERLUDE artfully circles the apparently mundane and haphazard to explore subtext and emotional bonds, and tensions that remain unexpressed. The easy flow and naturalism of the film mask the skilfully choreographed unfolding of scenes, which lead to a perfectly judged final moment.”
Spring Interlude
Join us for two special Q+A screenings with Director Martin Sagadin and star Alayne Dick on December 11th and 12th at 8.15pm each night
As the first independent contemporary queer feature film in New Zealand, SPRING INTERLUDE takes three characters and a simple premise about kindness and trust and turns it into an immersive experience of naturalistic dialogue, small gestures, glances and navigation of intimacy.
'As two girls go from being friends to maybe something more, one of them encounters a stranger who needs a place to stay the night.'
New Zealand International Film Festival writes "SPRING INTERLUDE artfully circles the apparently mundane and haphazard to explore subtext and emotional bonds, and tensions that remain unexpressed. The easy flow and naturalism of the film mask the skilfully choreographed unfolding of scenes, which lead to a perfectly judged final moment.”
